Saturday, 10 January 2009

At Forefronts.


Pepper Soup and since I didn't have yams, improvised with potatoes and with no palm oil, used ranch.


I'm listening to some Naija songs and I definitely love what I'm hearing. The fusion of sounds, beats is just crazy, and it's just so dance-inducing; you can't help but move your body, even the most stoic of us would probably bob his head. There are those who feel that Nigeria's current music industry is a caricature of America's hip hop. Perhaps the industry borrows so much, sometimes blindly from America's hip hop scene, regardless, I believe they've been able to own it and create of it, something with originality, such that anyone who listens to it, will point out that it is certainly different and Nigerian. And to me, this is the beauty of it, because so as the suburban American and British teenager sits in front of his T.V and watches the latest of hip hop, so as the Nigerian teenager. As such that, young people from both sides of the world, regardless of varying environments, absorb similar cultural influences. And this is not to say, that at this time in the world, both young people are exactly the same culturally, there are vast differences as there are striking similarities, and this accounts for why when people arrive in the west, they usually do not experience that much cultural shock. Though I admit that I might have excluded young people who grow up in rural areas, but still I don't think many people will be surprised going back to their villages and towns and seeing young people trying to outdo themselves in the latest hip hop trends and songs.

So this paradigm shift from basing music and art on what we consider indigenous to a more contemporary style, I think, puts today's Nigerian young people at forefronts of greatness. There was a documentary I saw back in Nigeria that praised legends in music history and Fela Anikulapo Kuti was one of them, and it was mentioned that Nigeria was the third in top music industries in the world, and this was when there were the genres of Apala, Afro-beat, Juju and so on. But I wasn't born in this time or wasn't raised knowing that such music was meant for me; it has always being music for my parents, of the older generation. And now, to expect of me to reproduce such music, or in my case to write in the ways of Chinua Achebe, Buchi Emecheta is to expect of me something inauthentic, as I'll be recreating what is not me (and by me, I mean how I've being externally influenced).I listen to Onyeka Onwenu (love Bia Nulu),Fela (he's such a social critic, at the same time he can be easily dismissed as being an idiot, but I like him for standing his ground and immersing himself in his cause), Haruna Ishola (sometimes I feel ashamed that I don't fully understand what he's saying, but there's something that makes him sound so much like a griot), but I don't expect of today's musicians to reproduce what the above-mentioned musicians have done. Finally, what I'm getting at is that modern western music and art and culture has through the west's imperialism come to be sort of a world language that the rest of the world understands and can speak, and for us young Nigerians who comprehend this language, we are placed at forefronts where we can achieve world greatness, only if we own, personalize this language and create of it something that the rest of the world will have to stop to listen and be awed by.

Wednesday, 24 December 2008

Why I Blog About Africa

No matter how detached I might sometimes feel from Nigeria and Africa, or view other cultures and then look at mine and ask what it is that hasn't happened yet?, I still feel that I can never abandon Africa. Growing up in Nigeria has greatly influenced who I am, and for this reason, my writing has elements of Africa in it.

Whether I am writing about complexities on myself, fiction or complaining about culture and people, I think it all relates to me hoping that there can be an alternate future for the African continent. That even when I read other African blogs, I go there hoping to find something new that marks improvement. It is the hope that when I visit Niyitabiti, I'll see something really exciting about Nigeria's emerging youth and entertainment culture.

And even being away from Nigeria makes me feel like I see the counrty better. I mean it's understandable that some people might disagree with me thinking I have a better vista, just because I'm outisde. But I feel that being away sought of puts me on some precipice where I can look down and see things that those in the valley might ignore. And I think that is why I blog about Africa, to tell what I see, when I look down.

I tag Jaja, Allied, Naijababe

Thursday, 27 November 2008

All these Veges!!

It's the American thanksgiving today, so a friend from the US celebrated it-but had a Vegan one. So I decided to go over with some friends to try it out, and see how Tofu taste like. After the meal and the usual mashed sweet and common potatoes, boiled carrots and scallops, Tofurkey all topped with mushroom and onion gravy, I thought the meal (most especially the Tofurkey was quite a delightful surprise- and I'm not being sarcastic). It did not taste like Turkey that it was supposed to simulate, but it did taste good and different, yet similar to something I had tried before (spiced Salmon, beans or Moi-moi? couldn't quite place it)...Regardless, it was good.

And that silly, half-thought notion I had, that questioned the sense in people simulating the same foods that they were against its excessive consumption, cropped up in my head again. I mean why try to simulate beef, Turkey, chicken with Soya and the other stuff they use, and call it all these names that try to allude to the real thing. Why don't you just eat the real things in small proportions, or better still make entirely new foods. But now I'm coming to realize and see the reason and concern in these people and even the courage (hope I'm not exaggerating, here)in them. The decision to eat differently from what ones been weaned, really, to eat and crave must be a tough one. Apart from the cruelty some claim eating animal products cause on animals, I was a bit perplexed on how exactly consumption of meat and animal products deteriorates the environment. Then I learnt of this concept Environmental Footprint in one of my Environmental Science classes. This concept measures the impact and demand humans have on the environment in relation to how much the earth can accommodate. So each individual's ecological footprint is dependent on how much resources he uses and the consequent impact on the environment. When I first arrived here in Canada, my footprint and most people from Nigeria as measured by the EC. Ft. website was really moderate, if not small, as compared to other Canadians.But after a few months here, it increased.

So after this my lecture, what I'm getting at is that the more meat one consumes, the higher ones impact on the environment. Also, the higher society's collective demand for meat, the more land is cut down for rearing livestock and then the more "cruelty" on animals.

So now, do I intend to become vegetarian or vegan, NOPE!! and I don't expect anyone to become one, neither do I see any kind of righteousness or uprightness in the people who do. I do admire them for their concern and courage, but as for me I feel that if I ever move towards that green path, it won't be because I truly care for animals or want to save the environment. I think I might be doing it because I want to lead some kind of alternative lifestyle. But who knows, a few years from now, I could become truly concerned. I am not an advocate for saving the environment through the avoidance of certain things like meat (I eat, like it) as I feel the deterioration of the environment can be reduced, through individual self-awareness. That awareness should take form in one knowing that the simple and everyday things one does, adversely affects the environment. Does one really need to spend more than 10minutes in the shower, sleep with the lights on, eat meat products for every meal? I myself am guilty for all the things mentioned above. But, I think I should really try to reduce my impact and I really don't have to follow blindly this western bandwagon of wastefulness and consuming more than what one needs and even expected to want.

Friday, 14 November 2008

Mind, Restless, Tired


There's been a story in my head for more than a year now. It has crept into crevices of my mind, stayed there, almost parasitic. It saps, whatever it is that doesn't make it dissipate from me, and grows. There are limbs, facial features, that continue to protrude from it, as it rests in my mind. But still it looks like an aberration, totally malformed. And I, the forced sculptor has to mold and make it less of a phantom. Soon, it is done, the sculpting is complete, yet there are hole, tiny and large, that need to be filled.And the story keeps plaguing for its completion, for its holes to be filled. In the most unusual places, it comes to mind. In class, with the boring professor teaching that dreaded chemystery, it emerges. Though this time it is redeeming as it takes me away from my class. I continue to stare at the professor, my eyes partially blind to the formulas on the board and my ears hearing words that sound like that of a seceding crowd. In the absence of my mind, the story reveals itself; its limbs-the corners of the stories, it's features-the complexities and connections of characters. And then I know I must write it, do it and myself a favor. But when I finally did see it on my laptop screen, it looked even more malformed. It appeared like those Asian gods with many arms stretching and curling out of their straight bodies. I did not know how to handle all those corners, flash backs and complexities.It was more than 25 pages (not double spaced, or edited) and I felt it was a mash up. But that was during the summer, now winter approaches, if not already here and I'm writing all over again. It seems to be going alright. This time, there are no flash backs, no corners yet, just starting the story in all its simplicity; just from the beginning. It takes a lot of maturity to write a book, not to mention starting from the end to beginning.

I was disappointed, yesterday, to find out what it meant to be a free thinker. The meaning contrasted with what I had always thought it was. Did I or I did not perceive it to mean one who was free spirited and thought out of the box and even what is deemed reality. But its actual meaning, to me, steals from it what it sounds like. Though the free thinker, by its dictionary definition, thinks outside the norm or tradition, I still feel that his focus on science and logic steals from him, much of his free-ness.

Why do I feel this way towards science- humanity's way of reaching new frontiers. It is too logical, too rigid for me, I've never felt I can contribute to the world through science.

I saw a play yesterday and in the end when all the actors, removed from their characters, took their bows, I felt lifted, inspired. I wanted to act, even though the only time I ever did was in high school. After my first play, I got reactions of both surprise and mockery. Both reactions made me feel good. Still, I want to be a writer! (it should be known) and I cannot imagine my life without exploring these things. Scary, scary images.

Saturday, 25 October 2008

Wednesday, 24 September 2008

I wish the meanings weren't so vague to me.

Wiseman - James Blunt

Awe - Asa



I think I understand the plea to find home, but I don't get where the Zungo is.

Sunday, 7 September 2008

The Tufiakwa Syndrome.

When this word 'tufiakwa' is uttered, it is usually accompanied with sighs, tightly folded arms, heavy breathing, an almost violent jerk of the neck and shoulders and there could also be the intense snapping sounds of fingers, depending on the severity of the anomaly. The faces of the observers, accusers, critics, analysts, judges, Gbegoruns, Amebos always seem to be in some trance that levitates and traps their bodies in the bubble of the offender's iniquity or the wonder at how anyone at that, would give in to such debasement. Regardless of their positions in the country's socio-cultural, economic and educational strata, that trance-like look on their faces always shares striking similarities. And these shared similarities transcend widened eyes, opened mouths, pursed and pushed out lips that mimic a duck's beak and the consequent sucking sounds that follow, to one of a heated-ness that has the effect of sobering the offender to a state where he does not feel guilt for the crime that has been committed, but for a graver and more sinister one, that he fails to grasp, but his accusers, the Tufiakwa spitters, fully understand.

Though, the word has it's many equivalents-God forbid, Olorun ma je, Abasi Mbo, Jesus is Lord, Wonders shall never end and the very un-razz and still dismissive 'that's just sick'-that have become even more popular than it, it still retains its strength in its condemnation of anything that non-conforming to standards, that have come to be accepted and placed on a high pedestal. A pedestal that people in society strive to reach, even if they have to resort to hypocritical acts.

Having given background information-which might be meaningless info.-on the Nigerian word 'Tufiakwa', I proceed to the main point of this post, which tries to delve into the Nigerian People and our reaction to non-conformity. I will not try to fill this post with the obvious of how the Nigerian society is a conforming one,that sometimes inhibits individuality, but I will ask questions, that hopefully do not end up sounding too rhetorical.

I have always being perplexed, back in Nigeria, with how everyone seemed to be chasing the same things all in the bid to reach some acceptable level or attain success in society-success that seemed so uni-dimensional. To my young mind, it was surprising that diversity in the way people thought and approached life was almost non-existent. I still find myself asking if it is our sense of community or the ease with which we form tribal and gender-specific camaraderie, that makes us feel that we have to live our lives conforming to community or having to meet up to societal expectations of success. And when people do fail to meet up, they become topic of our side talk, something for us to look at with condemning awe. It is remarkable how Nigerian communities even in different parts of the world continue to live by or even create rules, values and moral obligations that sometimes streamlines them. And this communal action of creating sets of values also take form in young people setting up these expectations around themselves that they must meet in order to gain some kind of respect. Is it not alarming the motivations-Plasma screen, Lamborgini, house in South of France-young Nigerians have when choosing careers or the things they want to do? We also have the religious sort, that would even live by doctrines extreme than those in their holy books. Hence, they have to and expect others to conform to these set of values that sometimes remain unreformed. And it is not hard to find scenes of Nigerians reflexively changing who they are, when they get into their community. It is even deemed reasonable that one compromise oneself, in order to fit into community, society at large and consequently reaching that high pedestal.

Sometimes I feel that individuality and nationalism are so opposing, and can be likened to oil and water. There is that feeling that it is impossible for one to represent society, without compromising self. Does it mean that if one is to lead life, knowing that one is but responsible for oneself, and still carry out the selfless task of representing ones society, people or history? Can one truly define ones core identity without referring to one's nation (especially if it does not fully support ones dreams)?
In contrast, there is that part of me that believes that one can still be as individualistic as one chooses, without compromising oneself in representing one's background. There is that part that feels that referring to nation, background and history, when trying to define oneself does not tamper in any way with individuality. So what is stopping me from being nationalistic, without compromising myself? Maybe I have a problem with the way my country reacts to non-conformity, because my self, my core seems so out of place in the scheme of things. Sometimes, I feel that if life in Nigeria was to be likened to a novel, people, that I love and claim to love me, would become antagonistic to me, not for some intrinsic vileness in them, but for the reason that my core contradicts their beliefs and convictions. Yes, this might be the reason why I find the need to use the colloquial "Tufiakwa" to allude to our reaction to anything different, the reason why I feel torn between being the 'true Nigerian' or being my true self. Finally, I've come to reconcile all this, knowing that if I'm to lead a life not filled with mediocrity and compromise, I'll have to disappoint and confuse some people-and maybe live outside the shores of Nigeria.